After careful consideration and with our ongoing commitment to Diversity, Equity and Inclusion, Chanhassen Dinner Theatres has made the decision to cancel our upcoming production of Rodgers & Hammerstein’s Cinderella. Our hope in beginning the production process again with a new title will allow us to put into practice an intentional process based on the work we have been doing towards equity and inclusivity.
In addition to changing future programming, we are establishing new pre-production protocols. We will be inviting (and paying) BIPOC artists to analyze the production with our creative teams through a new DEI lens – looking to expand the voices that are at the table and impacting the storytelling. This conversation will happen before the design and casting process has begun. We believe this new process will allow us to tell the story in a rich way and allow us to live out our commitment to identity-conscious casting and becoming a more intentionally anti-racist theater. As a creative team, Michael Brindisi, Tamara Kangas-Erickson and Andy Kust will be holding each other accountable to ensure fair and equitable practices in all areas of casting.
It is important to note that we are also in the process of analyzing other production areas that have been brought to our attention including auditions and rehearsals – we are committed to safe, equitable spaces in all areas, and we will continue to update our DEI statement as we explore and refine these plans with our teams.
We are excited to announce that following The Music Man, Chanhassen Dinner Theatres will be producing Footloose! This show was hugely successful for us when it ran 11 years ago, and we are excited to explore it again in a new context. Details about auditions will be announced in the early summer. In addition, we will soon be accepting submissions for replacements in our current production of The Music Man, with a strong priority placed on casting BIPOC artists to join the cast. This announcement will be posted on our website and MN Playlist in upcoming weeks.
Last June, after the killing of George Floyd, a call to action came from theatre artists across the United States and in our own community to foster change in our industry in regard to Diversity, Equity and Inclusion (DEI) – both on our stages and within our creative teams and administrations. We have taken this call to heart. Since that time, leadership has been looking deeply at our practices, our biases and historical mistakes we have made with open hearts and minds to change. As theatre artists and business leaders, we are fully committed to having not only our stages but our entire organization be a reflection of the beautiful and rich diversity in our society.
We understand that now is the time for transparency about the actions we have been taking to learn, train our teams and make meaningful change across our organization. Our focus is on doing the work, not just talk about the work, but recognize that our larger community wants to hear where we stand, and we want to make our actions clear.
To assist us on this journey we enlisted the guidance of a DEI consultant. To date our consultant has facilitated:
- Assessment and goal setting meetings with senior leadership.
- Training session for senior leadership and managers.
- Meeting with managers without senior leadership present to assess current attitudes, goals and barriers to the work at CDT.
Planned next steps:
- Training and assessment with the Board of the company.
- Creation of staff DEI committee who will work collectively on these efforts including input into the creation of our anti-racism statement and commitments.
- Town-hall style listening sessions with our alumni artists and theater makers to get crucial input on their experiences and perspectives as we prepare to make work together again.
- Policy review and updates with teams across the organization including marketing, hiring and casting processes.
- Full staff training and listening session.
We are committed to working towards a more equitable organization, and building back to a complete and healthy business. When we were forced to close our doors in March of 2020, our production of The Music Man had just had its press night, and we must bring The Music Man back to life as soon as we are able. Not only do we have a responsibility to the 33,000 guests who currently hold tickets, but we also have a responsibility to our cast, musicians, crew and creative teams. As positions open up in this show and for our future productions, we will make decisions based on our new resolve to ensure that our casts and creative teams represent the entire community.
As we become a more equitable and anti-racist organization we will be setting measurable goals and action steps. We will share our progress through email updates and on our website. We ask for your support in this vision for our future.
Michael Brindisi, President
Tamara Kangas Erickson, Vice President
Chanhassen Dinner Theatres